Showing posts with label soundtracks. Show all posts
Showing posts with label soundtracks. Show all posts

Wednesday, May 27, 2015

Live To Tell - Madonna




As promised, albeit a month later, here's my post about Madonna's "Live To Tell". This is one actually gets a decent amount of airplay at work, just about everyday. I've always liked this song, as with most early Madonna records. It's dark, dreamy and dated, but in a good way. I remember the video with scenes from Madonna's then-husband, Sean Penn's film, "At Close Range", which I've never seen.
There's also scenes that include weirdo extraordinaire, Christopher Walken (with a mustache!) who I think plays Penn's dad. There's also fellow weirdo, Crispin Glover in the credits, along with Sean's brother Chris who starred (not as Sean's character Spicoli, but a similar character named Tom Drake) in the hard to find "Fast Times Are Ridgemont High" sequel, "The Wild Life". You (and me) can watch the whole movie here, which is based on the true story of 1960s gang leader Bruce Johnston Sr. and his son Bruce Jr. who later testified against his dad in 1978.

I remember having the "Live" music video taped off of TV on a VHS and the ending being cut off (I think Los Lobos' Ritchie Valens cover of "La Bamba" from the movie was on there too). I've noticed at work they play a different version of "Live" than in the original video that has a longer pause in the middle, with an extra weird sound effect. When I hear it, I always picture the gun held in Penn's hand again Walken's face at that point in the song. It's off the 1986 Madonna album, "True Blue", which has many good songs on it including this and its title track. I'm pretty sure I heard it originally though from the "Immaculate Collection"cassette my sister had and eventually wore out. I'm wondering if that "best of" was sort of the bridge between the gap in Madonna's career from her awesome 80s pop to her even more risque and I guess more serious, but meh 1990s transformation with "Vogue" and such. She always has weird religious references in her work, with "Conception" being swapped out for "Collection" in that compilation and her crazy video for "Like A Prayer" (which was co-written by Patrick Leonard, who also scored "At Close Range"). Also, from what I've read, "Live To Tell" is apparently performed with a crown of thorns upon Madonna's head when played live. Interesting...
yikes!
Apparently, "Immaculate" is all remixed, somewhat redone versions of her classic songs, so that would explain the differences between that and the originals. It's almost always a good bet to stick with the original songs. Why mess up a good thing? Hear that, George Lucas? Ugh, why would do back and mess up Star Wars? By the way Steven Spielberg, it's "Raiders Of The Lost Ark", not "Indiana Jones And The Raiders Of The Lost Ark". 

Sunday, March 8, 2015

Wilson Phillips/Berlin



I HATE
At work, there are many cover versions of superior original songs played throughout the day. Here's "Go Your Own Way" originally by Fleetwood Mac, redone by Wilson Phillips. Like many of the songs I hear throughout the work day, I'm not sure who sings most of the songs I hear. This one came as a surprise because it was a group I had actually heard of. I think back in elementary school either myself or my sister had a Wilson Phillips tape or CD. They play a few of their songs at my present job and I've heard their songs probably all throughout my retail "career" (*shudders*). If you're not familiar with their singing, do yourself a favor and just skip to their parents music, Brian Wilson (father of Wendy and Carnie) of the Beach Boys and Michelle Phillips (mother of Chynna) of the Mamas And Papas.

MTV had a special, or a pilot that never launched called "The 25 Lamest Videos". It starred Denis Leary, Janeane Garafalo, Jon Stewart and Chris Kattan (the only funny thing I think he ever did). I have it taped off of TV, but unfortunately it's not available in it's entirety online. Number 23 on the countdown is Wilson Phillip's "Hold On" which is hilariously torn apart. I recall such lines "Prince Valiant haircut" referring to Chynna Phillips and Carnie Wilson after harshly being called "the fat chick" is said to also have the "best personality". Soo wrong. Speaking of Carnie, have you seen her on "Celebrity Wife Swap"? Her husband was such a jerk. If anybody should "go their own way", it should be her.

Fleetwood Mac's original version of "Go Your Own Way" (released in 1977) is bitingly cruel but ended up being a huge hit song for them. The group consisted of two on again off again couples and a weird drummer. This particular song is about guitarist Lindsay Buckingham and backing vocalist Stevie Nicks' deteriorating relationship. I mean the whole time he's telling her "YOU CAN GO YOUR OWN WAY" or really, "get the fu** outta here!". It's a pretty mean song despite it's upbeat sound. BUT, this is a blog about work songs, so I'm stuck with the neutered Wilson Phillips version which has about as much energy as a coma. It's almost as if they have no clue what they're even singing about. It's devoid of emotion and any sort of understanding of the lyrics. I find this true among many newer artists; it's all vocal acrobatics and absolutely no sense of what they're singing about. It's soulless and meaningless.
Courtesy of http://www.azlyrics.com
"Go Your Own Way"

Loving you
Isn't the right thing to do
How can I ever change things that I feel?

If I could
Baby I'd give you my world
How can I
When you won't take it from me?

You can go your own way
Go your own way
You can call it another lonely day
You can go your own way
Go your own way

Tell me why
Everything turned around
Packing up
Shacking up's all you wanna do

If I could
Baby I'd give you my world
Open up
Everything's waiting for you

You can go your own way
Go your own way
You can call it another lonely day
You can go your own way
Go your own way

I LIKE


"Take My Breath Away" (1986) by Berlin isn't played too often at work, but I get pretty excited when I hear it, saying "yes!" to myself. I like Berlin, although I only have their first record ("Pleasure Victim") with "The Metro", "Sex (I'm A..), etc. This song was written by soundtrack great, Giorgio Moroder and also Tom Whitlock which was used in the film "Top Gun".  It even won an Oscar for Best Song that year. My husband Jeffrey and I while traveling across California stopped at some landmark from that film in San Diego. Apparently this song caused a rift in Berlin because it wasn't written by band songwriter, John Crawford and shortly after they split up. 

"Take My Breath Away"


Watching every motion
In my foolish lover's game
On this endless ocean
Finally lovers know no shame

Turning and returning
To some secret place inside
Watching in slow motion
As you turn around and say

Take my breath away
Take my breath away

Watching I keep waiting
Still anticipating love
Never hesitating
To become the fated ones
Turning and returning

To some secret place to find
Watching in slow motion
As you turn to me and say
My love

Take my breath away

Through the hourglass I saw you
In time you slipped away
When the mirror crashed I called you
And turned to hear you say
If only for today
I am unafraid

Take my breath away
Take my breath away

Watching every motion
In this foolish lover's game
Haunted by the notion
Somewhere there's a love in flames

Turning and returning
To some secret place inside
Watching in slow motion
As you turn my way and say

Take my breath away
Take my breath away